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| Old | New | ||
|---|---|---|---|
| 1 | # The Memories of Kayagum/ Soung Gumnyon. Chi Soungja | 1 | # The Memories of Kayagum/ Soung Gumnyon. Chi Soungja |
| 2 | 2 | ||
| 3 | [Ethnologisches Museum](https://smb.museum-digital.de/in | 3 | [Ethnologisches Museum](https://smb.museum-digital.de/institution/11) |
| 4 | Sammlung: [Musikethnologie](https://smb.museum-digital.de/ | 4 | Sammlung: [Musikethnologie](https://smb.museum-digital.de/collection/8) |
| 5 | Inventarnummer: VII CD 0042 | 5 | Inventarnummer: VII CD 0042 |
| 6 | 6 | ||
| 7 | Beschreibung | 7 | Beschreibung |
| 17 | 17 | ||
| 18 | 18 | ||
| 19 | - Hergestellt ... | 19 | - Hergestellt ... |
| 20 | + wo: [Korea](https://smb.museum-digital.de/ | 20 | + wo: [Korea](https://smb.museum-digital.de/oak?ort_id=8805) |
| 21 | 21 | ||
| 22 | - Hergestellt ... | 22 | - Hergestellt ... |
| 23 | + wer: [His Master's Voice](https://smb.museum-digital.de/ | 23 | + wer: [His Master's Voice](https://smb.museum-digital.de/people/139121) |
| 24 | 24 | ||
| 25 | - Hergestellt ... | 25 | - Hergestellt ... |
| 26 | + wer: [Gumnyon, Soung](https://smb.museum-digital.de/ | 26 | + wer: [Gumnyon, Soung](https://smb.museum-digital.de/people/140669) |
| 27 | + Interpret | 27 | + Interpret |
| 28 | 28 | ||
| 29 | ## Links/Dokumente | 29 | ## Links/Dokumente |
| 30 | 30 | ||
| 31 | - [Das Objekt bei SMB-digital](http | 31 | - [Das Objekt bei SMB-digital](https://id.smb.museum/object/245458) |
| 32 | 32 | ||
| 33 | ___ | 33 | ___ |
| 34 | 34 | ||
| 35 | 35 | ||
| 36 | Stand der Information: 202 | 36 | Stand der Information: 2023-10-06 00:02:21 |
| 37 | [CC BY-NC-SA @ Ethnologisches Museum, Staatliche Museen zu Berlin](https://creativecommons.org/licenses/by-nc-sa/4.0/) | 37 | [CC BY-NC-SA @ Ethnologisches Museum, Staatliche Museen zu Berlin](https://creativecommons.org/licenses/by-nc-sa/4.0/) |
| 38 | 38 | ||
| 39 | ___ | 39 | ___ |
The Ethnologisches Museum (Ethnological Museum) evolved from the collections of the royal cabinets of art and since its foundation in 1873 has become...
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